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Book Lists

Time’s List of the 10 Best Graphic Novels

The Time’s List of the 10 Best Graphic Novels is an unranked list of the 10 best graphic novels published between 1938 and 2006.[1] The list was compiled by Time Magazine critic Lev Grossman.[1]

The list of the period was published as a supplement to Time’s 100 Best Novels list, compiled by both Lev Grossman and Richard Lacayo.[2] Watchmen (1986) by Alan Moore and Dave Gibbons appears on both the 100 Best Novels and 10 Best Graphic Novels lists, giving the combined lists a total of 109 entries.[2] Additionally, Neil Gaiman is the only author to have more than one entry on the 10 Best Graphic Novels compilation: The Sandman (1989) and Miracleman: The Golden Age (1992).[3][4]

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Book Lists

Time’s List of the 100 Best Novels

Time’s List of the 100 Best Novels is an unranked list of the 100 best novels published in the English language between 1923 and 2005. The list was compiled by Time Magazine critics Lev Grossman and Richard Lacayo.[1]

The list includes only novels published between 1923 (when Time was first published) and 2005 (when the list was compiled). As a result, some notable 20th-century novels, such as Ulysses by James Joyce (published in 1922), were ineligible for inclusion.[1][2]

A list of the ten best graphic novels of the period was subsequently published as a supplement to the list.[3] Watchmen (1986) by Alan Moore and Dave Gibbons appears on both the 100 Best Novels and 10 Best Graphic Novels lists, giving the combined lists a total of 109 entries.

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Book Lists

Le Monde’s 100 Books of the Century

The 100 Books of the Century (French: Les cent livres du siècle) is a list of the one hundred most memorable books of the 20th century, according to a poll performed during the spring of 1999 by the French retailer Fnac and the Paris newspaper Le Monde.

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Book Lists

Harold Bloom’s Western Canon Book List

Harold Bloom‘s 1994 bestseller, The Western Canon: The Books and School of the Ages. I decided to create a “canonical list” in today’s blog for those who are inclined to try to soak in this great radition. Taking the books that Bloom focusses on in each chapter and putting them into list form provides us a good decade of reading, and an excellent introduction to the main features of our Western Euro-American literary heritage. I have tried here to include the entire list so that you will not need to read his Western Canon in its entirety before you begin reading great books. Likewise, this list can help you to prepare to read The Western Canon–or a literary course like it–with your primary work complete.

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Books

Catch-22 by Joseph Heller

This satirical novel follows U.S. Captain John Yossarian and his squadron of World War II fighters as they navigate the horrors and paradoxes of war. Based on American author Joseph Heller’s own wartime experiences, the novel explores the many facets of war and employs a unique narrative structure. Catch-22 is widely seen as one of the most significant American novels of the twentieth century. The New York Times called it “a dazzling performance that will outrage nearly as many readers as it delights.”

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Books

Lolita by Vladimir Nabokov

Lolita tells the story of middle-aged Humbert Humbert’s love for twelve-year-old Dolores Haze. The concept is troubling, but the novel defies any kind of label, though it has been heralded as a hilarious satire, a bitter tragedy, and even an allegory for U.S.-European relations. In Reading Lolita in Tehran, Azar Nafisi summarized the book as “hopeful, beautiful even, a defense not just of beauty but of life . . . Nabokov, through his portrayal of Humbert, has exposed all solipsists who take over other people’s lives.”

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Brave New World by Aldous Huxley

Though Brave New World is less famous than George Orwell’s 1984, it arguably presents a world that more closely resembles our own: a world of easy sex, readily available and mood-altering pharmaceuticals, information overload, and mass production.  Juxtaposing Orwell’s and Huxley’s dystopias, the critic Neil Postman commented: “What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. . . . Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance.”

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Books

The Sound And The Fury by William Faulkner

Narrated by the Compson siblings—Benjy, a source of shame for his family due to his diminished mental capacity; brilliant and obsessive Quentin; and Jason, the cynic—as well as Dilsey, the powerful matriarch of their black servants, The Sound and the Fury is a tragedy of haunted lives. As each of these characters reflect on the fourth sibling, beautiful and free-spirited Caddy, Faulkner paints an indelible portrait of a family in disarray. While The Sound and the Fury was dismissed by its author as a “splendid failure,” it is now considered a masterpiece and played a crucial role in Faulkner being awarded the 1949 Nobel Prize in Literature.

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The Great Gatsby by F. Scott Fitzgerald

Set in the Jazz Age, The Great Gatsby tells the story of the mysterious millionaire Jay Gatsby, his decadent parties, and his love for the alluring Daisy Buchanan. Dismissed as “no more than a glorified anecdote, and not too probable at that” (The Chicago Tribune), The Great Gatsby is now considered a contender for “the Great American Novel.” Fitzgerald wanted to title the novel “Trimalchio in West Egg,” but both his wife and his editor preferred “The Great Gatsby.” Fitzgerald gave in, though he still thought that “the title is only fair, rather bad than good.”

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Ulysses by James Joyce

Written as an homage to Homer’s epic poem The Odyssey, Ulysses follows its hero, Leopold Bloom, through the streets of Dublin. Overflowing with puns, references to classical literature, and stream-of-consciousness writing, this is a complex, multilayered novel about one day in the life of an ordinary man. Initially banned in the United States but overturned by a legal challenge by Random House’s Bennett Cerf, Ulysses was called “a memorable catastrophe” (Virginia Woolf), “a book to which we are all indebted” (T. S. Eliot), and “the most faithful X-ray ever taken of the ordinary human consciousness” (Edmund Wilson). Joyce himself said, “There is not one single serious line in [Ulysses].